Tone library / Pink Floyd / Comfortable numb

Comfortable numb amp settings — Orange Crush 35RT

The Pink Floyd guitar tone for “Comfortable numb”, dialed in for a Orange Crush 35RT with a Fender Player Stratocaster. Studio version, The Wall (1979) - Outro solo

Original rig

1969 Fender Stratocaster (Black Strat, DiMarzio FS-1 bridge) -> MXR Dyna Comp -> EHX Ram's Head Big Muff Pi -> Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet

Singing, creamy high-gain fuzz sustain with smooth top-end and subtle swirling rotary dimension
Amp settings — Orange Crush 35RT
CHANNELClean
GAIN 2 BASS 5 MID 6 TREBLE 5 REVERB 4 MASTER 5
KnobSetting (0–10)
Gain2
Bass5
Mid6
Treble5
Reverb4
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Electro-Harmonix Big Muff Pi

Primary gain source; run into Clean channel front input

Volume 7 · Tone 4 · Sustain 8

02Digital Delay

RECOMMENDED — not owned (set to ~380ms quarter note or dotted eighth in FX loop)

Level 4 · Feedback 5 · Delay Time 4
Why these settings

The Big Muff acts as the sole gain source, so the Orange Crush 35RT is set strictly to its Clean channel with low gain to prevent muddy double-clipping. Orange amps have prominent lower-mids compared to Gilmour's pristine Hiwatt DR103, so keep the amp bass at 5 and pull the Muff's tone down to 4 to round off the bridge single-coil's harsh treble without getting boomy. The Orange Crush 35RT faceplate lacks a presence control, so top-end smoothing is handled via the treble and guitar tone knobs. Clean verse: bypass the Big Muff and switch pickup to neck.

PRO TIPRoll the Strat's bridge tone control back to 7 or 8 to replicate the fatter output and attenuated highs of Gilmour's overwound DiMarzio FS-1 bridge pickup, allowing the Muff to sustain smoothly without high-frequency fizz.

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These settings are for a Orange Crush 35RT. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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