Tone library / Pink floyd / Comfortable numb

Comfortable numb amp settings — Line 6 Spider IV 15

The Pink floyd guitar tone for “Comfortable numb”, dialed in for a Line 6 Spider IV 15 with a Gibson Slash Les Paul Standard. Studio version, The Wall (1979) - Outro solo

Original rig

1969 Fender Stratocaster (Black Strat, DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX Ram's Head Big Muff Pi -> 1973 Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet

Singing, creamy high-gain fuzz sustain with smooth top-end and subtle swirling rotary dimension
Amp settings — Line 6 Spider IV 15
CHANNELMetal
GAIN 7 BASS 6 MID 7 TREBLE 5 REVERB 3 MASTER 5
KnobSetting (0–10)
Gain7
Bass6
Mid7
Treble5
Reverb3
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Spider IV Onboard Chorus/Flanger

Set FX knob just into the Chorus/Flange range to replicate the Yamaha RA-200 rotary cabinet

Mix/Depth 3

02Spider IV Onboard Delay

Tap tempo to approximately 370ms to emulate the studio digital delay

Mix/Feedback 4
Why these settings

The Spider IV 15's 'Metal' voice simulates high-gain saturation to approximate the singing sustain of Gilmour's Ram's Head Big Muff without needing external pedals. Because the Slash Les Paul has hot Alnico II humbuckers compared to Gilmour's single-coil Strat, roll the guitar tone knob down to 8 and keep the amp's treble at 5 to round off harshness and capture that creamy, violin-like top end. Use the onboard chorus/flange set low to mimic the subtle dimensional swirl of the Yamaha rotary speaker. Clean verse: switch to the Clean channel with Chorus active.

PRO TIPUse wide, slow vibrato and dig into string bends with the flesh of your index and ring fingers together; Gilmour's vocal quality comes from bending precisely to pitch with a steady, relaxed wrist vibrato that keeps the note sustaining through the gain stage.

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These settings are for a Line 6 Spider IV 15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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