Tone library / Pink Floyd / Comfortable numb

Comfortable numb amp settings — Fender Mustang 1

The Pink Floyd guitar tone for “Comfortable numb”, dialed in for a Fender Mustang 1 with a Epiphone Les Paul Modern. Studio version, The Wall (1979) - Outro solo

Original rig

1969 Fender Stratocaster (Black Strat, DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX Ram's Head Big Muff Pi -> 1973 Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet

Singing, creamy high-gain fuzz sustain with smooth top-end and subtle swirling rotary dimension
Amp settings — Fender Mustang 1
CHANNELBritish 80s (Marshall JCM800 model) with onboard Big Fuzz stomp + Chorus + Tape DelayBRIGHToffBOOSToff
GAIN 6 BASS 5 TREBLE 5 REVERB 2 MASTER 5
KnobSetting (0–10)
Gain6
Bass5
Treble5
Reverb2
Master5
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Guitar
PICKUPbridge TONE9 VOLUME10
Signal chain

01Onboard Big Fuzz (Mustang Stomp Slot)

Mustang internal stompbox model (Big Muff emulation)

Sustain 7 · Tone 4 · Level 7

02Onboard Sine Chorus (Mustang Mod Slot)

Emulates Gilmour's Yamaha RA-200 rotating speaker cabinet

Rate 3 · Depth 4 · Level 5

03Onboard Tape Delay (Mustang Delay Slot)

Set to roughly 480ms with 3-4 warm repeats

Delay Time 5 · Feedback 4 · Level 4
Why these settings

The Mustang 1 lacks physical Mid and Presence knobs, so dial them via the British 80s amp model which provides the punchy Hiwatt-style midrange push and headroom. Since humbuckers on the Les Paul Modern are naturally thicker and darker than Gilmour's Strat, the fuzz tone is kept around 4 with guitar tone at 9 to retain high-end articulate bite without mud. First solo variation: switch to neck pickup and roll tone to 8 for that flute-like, rounded phrasing.

PRO TIPGilmour's sustain relies heavily on wide, slow, deliberate finger vibrato with pitch-perfect multi-step bends; hold your bends firmly against the fretboard to let the fuzz bloom.

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These settings are for a Fender Mustang 1. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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