Another Brick In the Wall, Pt. 2 amp settings — Headrush Frfr108
The Pink Floyd guitar tone for “Another Brick In the Wall, Pt. 2”, dialed in for a Headrush Frfr108 with a Ibanez Rg3ex1. Studio version, The Wall (1979) — iconic guitar solo
1955 Gibson Les Paul Goldtop (P-90s, neck pickup) plugged direct into console, heavily compressed/gated, then re-amped through a Mesa/Boogie Mark I
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
01Dynacomp Compressor block
Essential for matching the console-direct squish and infinite sustain
02White / Tube Drive block
Mild warm push into the Mesa model to simulate the console preamp saturation
03Analog Delay block
Set to roughly 440ms with 2-3 audible repeats
04Plate Reverb block
Emulates the studio EMT plate reverb on the track
The HeadRush Prime models the Mesa/Boogie Mark I directly, pairing into the neutral FRFR-108. Since your Ibanez RG3EX1 features hotter humbuckers compared to Gilmour's airy P-90 single coils, rolling the guitar tone knob back to 7 smooths the humbucker top end while bumping amp mids to 7 preserves the vocal, horn-like bite. The aggressive compressor block in front recreates the DI console squash that gave the original its signature percussive snap and singing sustain.
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These settings are for a Headrush Frfr108. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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