Cryin' amp settings — Headrush Frfr108
The Joe Satriani guitar tone for “Cryin'”, dialed in for a Headrush Frfr108 with a Ibanez Rg3ex1. Studio version, The Extremist (1992)
Ibanez JS1/Chrome Boy with DiMarzio PAF Pro & Fred humbuckers into Boss DS-1 distortion, blended early Mesa/Boogie Dual Rectifier and Soldano SLO-100 heads, 4x12 Marshall cabs, studio plate reverb, digital delay, and Eventide pitch detune
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
01HeadRush White OD (Boss DS-1 Style Dirt)
Used as a tight front-end sustain push into the high-gain amp model
02HeadRush Air Delay
Post-amp/cab block; set tempo sync to roughly 420ms (dotted 8th or 1/4 note)
03HeadRush Studio Reverb
Post-amp block to match The Extremist studio lush plate ambiance
The HeadRush FRFR-108 has an aggressive, direct high-frequency response through its 8-inch driver and horn, so amp treble and presence are capped at 5 and the overdrive tone at 4 to prevent brittle top end. Satriani's tone leans heavily on thick, vocal upper-midrange sustain, so the SLO-100 Lead model's mid control is boosted to 7. Your RG3EX1 passive humbuckers match the output profile of Satriani's DiMarzios closely, but rolling the guitar tone knob slightly down to 8 rounds off the attack to nail his singing, flute-like sustain.
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These settings are for a Headrush Frfr108. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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