Tone library / Philip Bailey & Phil Collins / Easy Lover

Easy Lover amp settings — Marshall Code 25

The Philip Bailey & Phil Collins guitar tone for “Easy Lover”, dialed in for a Marshall Code 25 with a Jackson JS22 Dinky. Studio version, Chinese Wall (1984) - Main Riff and Solo (Daryl Stuermer)

Original rig

Custom Strat-style guitar with humbuckers into cranked Marshall JCM800/Plexi with rack chorus, delay, and studio compression

Punchy, compressed 80s hard-pop crunch with cutting upper-mid bite and tight low end
Amp settings — Marshall Code 25
CHANNELJCM800 preamp model + 100W British power amp + 1960 cabBOOSToff
GAIN 7 BASS 5 MID 7 TREBLE 7 REVERB 2 MASTER 6
KnobSetting (0–10)
Gain7
Bass5
Mid7
Treble7
Reverb2
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Onboard Compressor Block

Engage Marshall Code built-in compressor stomp block to nail the tight 80s studio squish

Tone 5 · Ratio 6 · Comp 7

02Onboard Chorus Block

Modulation block set to subtle stereo-style detune/chorus

Speed 3 · Depth 4 · Mode 1

03Onboard Delay Block (Studio Delay)

Delay block dialed to a tight 320ms echo for stereo spread

Time 4 · Feedback 3 · Level 3
Why these settings

The Marshall Code 25 uses the JCM800 preamp model to capture Daryl Stuermer's hot-rodded British bite directly in the box without external gear. High-output ceramic pickups on the Jackson JS22 drive the digital preamp aggressively, so gain is kept at 7 to maintain articulate chord punch while mids are pushed to 7 for cutting power. The Code 25 faceplate has no physical presence knob, so all presence sculpting is handled by the treble control and high-mid emphasis.

PRO TIPPick aggressively near the bridge with an angled, heavy pick to produce the percussive attack and harmonics that jump through the chorus-delay sheen on the signature intro riff.

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These settings are for a Marshall Code 25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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More tones for the Marshall Code 25
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