Tone library / Panterra / floods

floods amp settings — Fender Mustang LT25

The Panterra guitar tone for “floods”, dialed in for a Fender Mustang LT25 with a Dean Custom. Studio version, The Great Southern Trendkill (1996) — specifically the clean/melodic outro solo

Original rig

Randall RG-100ES solid-state head, Washburn Dime 333 with Seymour Duncan '59 neck pickup, Korg ToneWorks AX30G (chorus/delay), light plate reverb

Warm, liquid neck-pickup lead with subtle chorus shimmer and slapback delay — clean-ish with edge, not high-gain
Amp settings — Fender Mustang LT25
CHANNELMETAL 2000 (cleanest high-gain model on LT25 — use for edge, not full saturation)
GAIN 3 BASS 6 MID 5 TREBLE 5 PRESENCE 4 REVERB 3 MASTER 7
KnobSetting (0–10)
Gain3
Bass6
Mid5
Treble5
Presence4
Reverb3
Master7
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Guitar
PICKUPneck TONE7 VOLUME10
Signal chain

01Mustang LT25 Built-in Chorus (MOD slot)

Use LARGE CHORUS or SINE CHORUS in the MOD block — subtle shimmer, not heavy wobble

Speed 3 · Depth 4 · Level 6

02Mustang LT25 Built-in Delay (DLY slot)

Use MONO DELAY — aim for ~350-400ms slapback, 2-3 repeats max

Time 4 · Feedback 3 · Level 5
Why these settings

The Mustang LT25 is a digital modeling amp — the Randall RG-100ES was a uniquely stiff, tight solid-state head with a specific mid-forward voicing the Fender models don't replicate exactly. I dropped gain to 3 because Dimebag's solo tone on Floods is NOT high-gain — it's a warm, articulate neck-pickup tone with effects doing the atmosphere work. The METAL 2000 model at low gain gives enough edge without mud. Your Dean humbuckers are hotter than the '59 neck pickup Dime used, so treble stays neutral.

PRO TIPRoll your guitar's tone knob to 7 and use your neck pickup's natural warmth — the magic of this solo is the vocal, singing sustain, not gain. Let notes ring and use light vibrato on the longer bends; the delay and chorus fill the space.

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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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