Walk amp settings — Peavey 5150
The Pantera guitar tone for “Walk”, dialed in for a Peavey 5150 with a Epiphone SG Standard. Studio version, Vulgar Display of Power (1992)
Randall Century 200 solid-state head, Dean ML with Bill Lawrence L-500XL bridge pickup, Furman PQ-4 Parametric EQ, MXR 6-Band EQ (scooped/frown curve), Rocktron Guitar Silencer noise gate
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 7 |
| Mid | 3 |
| Treble | 6 |
| Presence | 7 |
| Reverb | 0 |
| Master | 4 |
01Noise Gate (RECOMMENDED — not owned)
RECOMMENDED — not currently owned. Critical for the tight rhythmic stops. An ISP Decimator or Boss NS-2 will get you there. Without it, the stop-start groove loses its punch.
The 5150 is actually closer to Dime's tone than most tube amps—it shares the tight, aggressive voicing with scooped mids that defined 90s metal. Dime's Randall solid-state had extreme mid-scoop via external EQs; the 5150's inherent voicing is already mid-scooped, so we only drop mids to 3 rather than the 2 he used. Gain is pulled back to 7 because the 5150 runs hotter than the Randall and your SG's humbuckers have more output than the L-500XL. The Epiphone SG's neck-heavy resonance adds low-mid warmth Dime didn't have, so bass stays at 7 rather than his 8.
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