The Art Of Shredding amp settings — Randall RG100ES
The Pantera guitar tone for “The Art Of Shredding”, dialed in for a Randall RG100ES with a Dean Dimebag Dean From Hell CFH. Live version, Foundations Forum Metal Convention (1990) — the iconic shred showcase performance
Randall RG100ES solid-state head → Randall 4x12 cabinet, Dean ML with Bill Lawrence L-500XL bridge pickup, Furman PQ-3 Parametric EQ → MXR 6-Band Graphic EQ → Boss Noise Gate
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Mid | 3 |
| Treble | 8 |
| Presence | 7 |
| Reverb | 0 |
| Master | 7 |
01Furman PQ-3 Parametric EQ
Cut a notch in the low-mids (around 400-600Hz) to create the hollow, scooped character. Boost presence frequencies slightly.
02MXR Six Band EQ
Set in a steep frown shape — scoop the low-mids (200-400Hz), boost upper-mids (800Hz-3.2kHz) aggressively for that signature Dime cut and snarl
03MXR 126 Flanger/Doubler
Doubler mode only — keep Width and Speed at 0, subtle Mix to thicken without obvious modulation. This was always on for Dime.
You have Dime's exact rig — RG100ES, Dean CFH with the Bill Lawrence pickup, Furman PQ-3, and MXR 6-Band. No adaptation needed. The key is the EQ chain: Furman cuts a hollow mid-notch, then the MXR 6-Band boosts upper-mids in a frown shape (lows and highs down, 800Hz-3.2kHz up). The amp's mid control stays low (3) because the solid-state RG100ES mids are already forward — the EQ pedals do the surgical scooping. You lack the Boss Noise Gate from his chain; expect more noise at high gain without it.
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These settings are for a Randall RG100ES. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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