Domination amp settings — Harley benton Blues junior
The Pantera guitar tone for “Domination”, dialed in for a Harley benton Blues junior with a Ibanez GIO GRG170DX. Studio version, Cowboys from Hell (1990)
Randall RG-100ES head, Furman PQ-3 parametric EQ, MXR 6-Band EQ, Dean ML with Bill Lawrence L-500XL bridge humbucker
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 3 |
| Mid | 4 |
| Treble | 7 |
| Reverb | 0 |
| Master | 6 |
01High-Gain Distortion (Boss DS-1 or similar)
RECOMMENDED — not currently owned. Essential for this tone. The Blues Junior cannot produce Dimebag's tight high-gain sound on its own. A DS-1, Metal Zone, or MXR Distortion+ will get you in the ballpark. Run amp completely clean.
026-Band Graphic EQ (MXR M109 or similar)
RECOMMENDED — not currently owned. This was critical to Dimebag's tone. Cut lows, boost upper mids around 2-3kHz. Without this, the tone will lack his signature 'bark.' Place after distortion pedal.
The Blues Junior is a low-wattage tube amp designed for warm cleans and bluesy breakup—the opposite of Dimebag's tight, solid-state Randall sound. Without a high-gain distortion pedal, this tone is unobtainable. I set the amp to full clean (gain at 3) to act as a clean platform; the distortion pedal provides all the gain. Mid is pushed to 4 (higher than Dime's scooped Randall setting of 1-2) because the Blues Junior already has a natural mid-scoop and needs compensation to cut through.
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These settings are for a Harley benton Blues junior. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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