Domination (Live from Monsters In Moscow Festival, 1991) amp settings — Vox Vx15GT
The Pantera guitar tone for “Domination (Live from Monsters In Moscow Festival, 1991)”, dialed in for a Vox Vx15GT with a Squier Bullet Stratocaster. Live performance, Monsters In Moscow Festival, September 28, 1991 — touring Cowboys from Hell-era rig
Randall RG100ES solid-state head, Dean ML 'Dean from Hell' with Bill Lawrence L-500XL bridge humbucker, Furman PQ-3 parametric EQ + MXR 6-Band EQ (frown curve) stacked before amp, MXR Flanger/Doubler in loop
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 7 |
| Mid | 2 |
| Treble | 8 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01MXR M109 6-Band EQ (or similar graphic EQ)
RECOMMENDED — not currently owned. This is THE critical Dimebag pedal. Set 'frown' curve: cut mids at 400Hz and 800Hz, boost highs at 3.2kHz, slight bass boost. Level pushed to overdrive amp front end. Without this, you lose 60% of the tone's character.
The VX15GT is a modeling amp with Vox-voiced architecture — naturally mid-forward and chimey, the opposite of Dimebag's scooped solid-state Randall. Mids dropped to 2 to compensate for Vox's inherent mid-push. The Squier's ceramic single-coil bridge pickup is thinner and lower output than the L-500XL humbucker, so gain is maxed and bass raised to 7 to add body. Without the dual EQ pedals that defined Dime's front-end boost and surgical mid-scoop, the amp alone cannot replicate the tone — the EQ pedal recommendation is essential.
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These settings are for a Vox Vx15GT. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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