Cowboys from Hell amp settings — Zoom G1X Four
The Pantera guitar tone for “Cowboys from Hell”, dialed in for a Zoom G1X Four with a Cort G110. Studio version, Cowboys from Hell (1990)
Dean ML with Bill Lawrence L-500XL bridge humbucker → Furman PQ-4 Parametric EQ → MXR 6-Band EQ → Randall RG100ES solid-state head
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 7 |
| Mid | 3 |
| Treble | 8 |
| Reverb | 0 |
| Master | 7 |
01Zoom G1X Four — Amp Model Block
MS1959 gets closest to Randall's tight, aggressive response. Metal-specific models like ENGL or 5150-style (if available) work too.
02Zoom G1X Four — ZNR (Noise Reduction)
Essential for tight palm mutes and eliminating hum at high gain. Dimebag used rackmount noise gates.
03Zoom G1X Four — Graphic EQ Block
Scoop mids around 400-800Hz, boost presence at 3.2kHz for cut. Dimebag's signature mid-scoop came from stacked EQs.
The Cort G110's ceramic humbuckers have less output than Dimebag's Bill Lawrence L-500XL, so gain is kept at 8 rather than the original's ~8.5 to avoid fizz. Mid scooped to 3 (original was 4) because the Zoom's EQ voicing is already slightly mid-forward vs the Randall's naturally tight, scooped solid-state response. Treble pushed to 8 for that razor attack. No presence knob exists on the G1X Four's amp models—use the EQ block's 3.2kHz instead.
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These settings are for a Zoom G1X Four. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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