Cowboys from Hell amp settings — Randall RG 100 ES
The Pantera guitar tone for “Cowboys from Hell”, dialed in for a Randall RG 100 ES with a Jackson JS22 Dinky. Studio version, Cowboys from Hell (1990)
Randall RG100ES solid-state head, Dean ML 'From Hell' with Bill Lawrence L-500XL (bridge), Furman PQ-4 parametric EQ, MXR 6-Band Graphic EQ, Rocktron Hush noise gate
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 10 |
| Mid | 3 |
| Treble | 7 |
| Presence | 10 |
| Reverb | 0 |
| Master | 3 |
01MXR 6-Band Graphic EQ (M109)
RECOMMENDED — not currently owned. This pedal is CRITICAL to Dime's tone — it provides the front-end boost and mid-scoop shaping that defines the chainsaw attack. The 800Hz dimed with scooped low-mids creates the signature sound. Without it, you lose 40% of the tone.
02Noise Gate (Boss NS-2 or similar)
RECOMMENDED — not currently owned. High gain + boosted EQ = massive noise floor. A gate is essential for tight, controlled chugs. Place after the EQ, before amp input.
You own the actual amp used on the record — no amp voicing compensation needed. Your Jackson JS22's ceramic humbucker is hotter and brighter than Dime's L-500XL, so the tone will be slightly more sizzly in the highs. The major gap is the missing EQ pedals — Dime's tone was shaped heavily BEFORE the amp. Without an external EQ, push bass and presence to max, keep mids scooped at 3, and treble moderate at 7 to avoid ice-pick highs from your Jackson's bridge pickup.
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These settings are for a Randall RG 100 ES. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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