Tone library / pantera / cowboys from hell

cowboys from hell amp settings — Fender Champion II 50

The pantera guitar tone for “cowboys from hell”, dialed in for a Fender Champion II 50 with a Gibson SG Standard 61. Studio album cut, Cowboys from Hell (1990) — signature main riff / rhythm track

Original rig

Dean ML (Bill Lawrence L-500XL) -> MXR 6-Band EQ / Furman PQ-3 -> Randall RG100ES solid-state head into Randall 4x12 cab

Aggressive, razor-sharp solid-state high-gain with scooped mids, biting top end, and tight low-end attack
Amp settings — Fender Champion II 50
CHANNELChannel 2 (Voice: Metal 2000 / Hi-Gain Metal)BOOSToff
GAIN 8 BASS 8 MID 2 TREBLE 8 REVERB 0 MASTER 4
KnobSetting (0–10)
Gain8
Bass8
Mid2
Treble8
Reverb0
Master4
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Ibanez TS Mini

Used strictly as a tight boost in front of the amp to replicate Dimebag's pre-amp EQ bite and shave off flubby bass.

Tone 7 · Level 9 · Overdrive 0
Why these settings

The Fender Champion II 50 is an open-back modeling amp, so setting the Voice selector to the high-gain Metal 2000 model provides the crushing saturation Dimebag got from his solid-state Randall. The Gibson SG's '61 Burstbuckers have a softer upper-mid profile than Dime's searing Bill Lawrence L-500XL, so the TS Mini runs as a clean boost with Tone elevated to 7 to inject that razor-sharp front-end attack. Mids are pulled down to 2 on the amp EQ to capture the signature 1990 'V-shape' scoop while keeping Bass and Treble pushed hard.

PRO TIPDig in heavily with an ultra-rigid, sharp pick (like a 1.14mm Tortex or Jazz III) right next to the bridge saddles, using firm palm-muting to achieve Dimebag's mechanical, percussive chug.

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These settings are for a Fender Champion II 50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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