All Apologies amp settings — Fender Champion II 50
The Nirvana guitar tone for “All Apologies”, dialed in for a Fender Champion II 50 with a Ibanez GIO GRG170DX. Studio version, In Utero (1993)
Fender Quad Reverb (broken power tube/Utah speakers), Univox Hi-Flier Phase II / Fender Mustang, Tech 21 SansAmp Classic
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Treble | 6 |
| Reverb | 3 |
| Master | 5 |
01Behringer TM300 Tube Amp Modeler
Set switches: Amp: TWEED, Mod: CLN, Mic: CLASSIC (acts as the Tech 21 SansAmp character simulator into the clean amp)
The studio cut tracked a quirky, raspy clean from a 1974 Fender Quad Reverb using a Tech 21 SansAmp for subtle harmonic texture. The Behringer TM300 (a SansAmp clone) on Tweed/Clean mode accurately emulates that slightly gritty, immediate preamp break-up in front of the Champion II's clean Twin voice. The Champion II 50 lacks a dedicated mid knob and presence control, so mids are shaped via the TM300's tone controls while keeping the amp's Bass and Treble balanced. For the louder chorus sections, step harder into the strings or nudge the TM300 Drive up to 6.
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These settings are for a Fender Champion II 50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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