Cemetery Gates amp settings — Gear4music Bass amp
The Pantera guitar tone for “Cemetery Gates”, dialed in for a Gear4music Bass amp with a Gear4music Strat. Studio version, Cowboys from Hell (1990)
Dean ML 'Dean From Hell' (Bill Lawrence L-500XL bridge, Seymour Duncan '59 neck) → MXR 6-Band EQ (V-scoop) → Randall RG100ES solid-state head
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 7 |
| Treble | 6 |
| Master | 6 |
01Hell Babe Wah
Use sparingly for solo accents only — heel-down for rhythm, sweep toe-down on sustained solo notes
02Behringer SF300 Super Fuzz
Mode 2 (Fuzz 2) for tighter, more aggressive gain. This is your primary distortion source — amp stays clean. Bypass for the clean intro section.
03Delay
Short slapback (300-400ms) with low mix for solo sections only. Bypass for rhythm.
04EQ Pedal (6-band or 10-band)
RECOMMENDED — not currently owned. The V-scoop EQ is essential to Dimebag's tone. Cut 400-800Hz hard, boost lows and highs. A Boss GE-7 or Behringer EQ700 ($25-30) gets you there. Place after fuzz, before amp.
A bass amp into a Strat with a fuzz is a brutal mismatch for Dimebag's tone — his rig was a hot humbucker into a high-gain solid-state amp with surgical EQ. Your bass amp lacks the voicing and your single-coils lack output. The SF300 on Mode 2 provides usable aggression, but you need an EQ pedal to scoop the mids — without it, you'll get muddy fuzz, not Dimebag's razor clarity. Bass amp's mid control is likely absent; compensate by rolling treble up and pushing the fuzz's tone knob high.
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These settings are for a Gear4music Bass amp. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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