Cemetery gates amp settings — Artist Ac20
The Pantera guitar tone for “Cemetery gates”, dialed in for a Artist Ac20 with a Kramer Baretta fr1000. Studio version, Cowboys from Hell (1990) — heavy/riff section
Dean ML 'Dean From Hell' (Bill Lawrence L-500XL) → MXR Six-Band EQ (V-scoop) → Randall RG100ES solid-state
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 4 |
| Mid | 3 |
| Treble | 6 |
| Presence | 6 |
| Reverb | 0 |
| Master | 6 |
01Boss MT-2 Metal Zone
The MT-2's parametric mid EQ is critical here — Dimebag's tone was heavily V-scooped via an MXR 6-band. Set Mid Freq around 800Hz (4 o'clock position) and cut the Mid knob to replicate that scoop. This pedal is your entire gain source.
Your Artist AC20 is a tube amp voiced for classic British crunch — the opposite of Dime's tight solid-state Randall. Set the amp completely clean (gain at 2) so the MT-2 provides all distortion; two gain stages would create mud and lose the pick attack Dime was known for. The AC20's natural midrange warmth fights the scoop, so I've pulled amp mids to 3 and let the MT-2's parametric mid cut do the heavy lifting.
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These settings are for a Artist Ac20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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