Cemetery gates amp settings — Acoustic G120 dsp
The Pantera guitar tone for “Cemetery gates”, dialed in for a Acoustic G120 dsp with a Ibanez GIO GRG170DX. Studio version, Cowboys from Hell (1990) — two distinct tones: JC-120 clean (intro/verses) and Randall heavy (riffs/solo)
Roland JC-120 (clean), Randall RG100ES solid-state (heavy) — Dean ML with Bill Lawrence L-500XL bridge pickup, Seymour Duncan '59 neck pickup for cleans
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 5 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 6 |
01Boss Metal Zone MT-2 (heavy sections only — bypass for clean)
The MT-2's parametric mid EQ is critical — set Mid Freq knob to 3 (targeting ~400Hz) and Mid level to 2 for Dime's signature scoop. Bypass completely for clean sections.
02Acoustic G120 DSP Built-in Chorus (clean sections only)
Use the DSP's chorus effect for the JC-120 shimmer on intro/verses. The original used the JC-120's legendary built-in stereo chorus. Disable for heavy sections.
Your Acoustic G120 is a solid-state practice amp similar in architecture to Dimebag's solid-state Randalls — no tube compression means tight, immediate response. The amp stays clean; all gain comes from the MT-2 to prevent muddy stacking. The GRG170DX's Infinity R humbuckers are lower output than the L-500XL, so the MT-2's Dist knob sits at 7 instead of 6. For clean sections, switch to neck pickup and engage the DSP chorus.
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These settings are for a Acoustic G120 dsp. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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