Tone library / Pantera / Cemetary Gates

Cemetary Gates amp settings — Cort CM30R

The Pantera guitar tone for “Cemetary Gates”, dialed in for a Cort CM30R with a Behringer Strat. Studio version, Cowboys from Hell (1990)

Original rig

Randall Century 200 head into Randall 4x12 cabinets, Dean ML guitar with Bill Lawrence L500XL bridge pickup, MXR Flanger/Doubler for intro clean, no pedals for main rhythm/lead — amp gain only

Tight scooped high-gain rhythm with razor-sharp pick attack, glassy clean arpeggios for intro, singing lead tone with harmonic sustain
Amp settings — Cort CM30R
CHANNELOverdrive
GAIN 10 BASS 7 MID 3 TREBLE 8 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain10
Bass7
Mid3
Treble8
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01High-Gain Distortion Pedal (RECOMMENDED — Boss MT-2 Metal Zone or TC Electronic Dark Matter)

RECOMMENDED — not currently owned. The Cort CM30R cannot reach Dimebag's high-gain saturation from amp alone. Run this into the Clean channel with amp gain at 3, bass 5, mid 4, treble 6. The pedal becomes your gain source.

Level 7 · Low 6 · High 7 · Dist 8
Why these settings

The Cort CM30R is a 30W practice amp with limited gain — even maxed, its Overdrive channel produces classic rock crunch, not modern metal saturation. Dimebag's tone requires a high-gain pedal as the primary dirt source. I've scooped mids to 3 (Dime's signature scoop) and pushed treble for pick attack, but the small 10" speaker will soften the low-end thump vs the original 4x12.

PRO TIPDimebag's razor attack came from extremely low action, heavy picks (1mm+), and picking right over the bridge pickup pole pieces — anchor your palm hard and pick aggressively with a stiff downward attack to get that percussive chunk on the palm-muted riffs.

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These settings are for a Cort CM30R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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