Tone library / Pantara / Floods

Floods amp settings — Boss Katana Air

The Pantara guitar tone for “Floods”, dialed in for a Boss Katana Air with a Ibanez GIO GRG170DX. Studio album version, The Great Southern Trendkill (1996) — iconic solo tone

Original rig

Washburn Dimebag signature guitar (Bill Lawrence L-500XL / Seymour Duncan Dimebucker) -> Randall RG-100 solid-state head / Century 200 -> MXR 6-band graphic EQ -> DigiTech Whammy

Aggressive, razor-sharp solid-state high-gain lead with scooped midrange, biting highs, and double-tracked wide texture
Amp settings — Boss Katana Air
CHANNELBrown amp typeBOOSToff
GAIN 7 BASS 6 MID 3 TREBLE 8 REVERB 2 MASTER 6
KnobSetting (0–10)
Gain7
Bass6
Mid3
Treble8
Reverb2
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss DS-1 Distortion

Used as a tight input boost to push harmonics and pick attack into the Katana's Brown voice (amp remains primary gain source)

Tone 5 · Level 8 · Dist 2

02Behringer UC200 Ultra Chorus

Subtle, slow modulation to emulate Dimebag's studio doubled-lead thickness

Level 4 · Tone 5 · Rate 3 · Depth 3
Why these settings

Dimebag's signature tone relies on solid-state clipping, a scooped mid curve, and tight attack. On the Katana Air, the Brown amp type provides the high-gain saturation, dialed with scooped mids (3) and pushed treble (8) to emulate his graphic EQ. The DS-1 acts as a low-gain boost in front to sharpen the picking transients, while subtle UC200 chorus replicates the wide double-tracked studio takes. Clean intro/outro: switch Katana to Clean type and engage the UC200 with higher depth.

PRO TIPDig in hard near the bridge with a heavy pick and apply aggressive, wide vibrato; for the soaring climactic squeals, catch natural harmonics at the G-string 2nd, 4th, and 5th frets using an upward whammy bar pull.

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These settings are for a Boss Katana Air. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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