Tone library / Ozzy Osbourne / Mr. Crowley

Mr. Crowley amp settings — Zoom G1X Four

The Ozzy Osbourne guitar tone for “Mr. Crowley”, dialed in for a Zoom G1X Four with a DEAN Vendetta. Studio version, Blizzard of Ozz (1980) - Main Solo and Rhythms

Original rig

Marshall 1959 Super Lead 100W Plexi (modded/cascaded) + MXR Distortion+ + MXR 10-Band EQ + Karl Sandoval Flying V (DiMarzio Super Distortion/PAF)

Cutting, bright, mid-forward British hard rock lead tone with tight low end and aggressive bite
Amp settings — Zoom G1X Four
CHANNELMS 800 (Marshall JCM800 model) + MS4x12 Cab IRBRIGHToffBOOSToff
GAIN 6 BASS 5 MID 7 TREBLE 7 PRESENCE 6 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain6
Bass5
Mid7
Treble7
Presence6
Reverb2
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Zoom G1X Four - GoldDrive (or D-PLUS) Distortion Block

Placed before the amp block to replicate Randy's MXR Distortion+ front-end push

Gain 6 · Tone 7 · Volume 7

02Zoom G1X Four - Graphic EQ Block

Emulating Randy's crucial MXR 10-band EQ mid-hump shape

160Hz 4 · 400Hz 6 · 800Hz 8 · 3.2kHz 7 · 6.4kHz 6

03Zoom G1X Four - Hall Reverb Block

Post-amp/cab block to replicate the Blizzard studio room ambience

Decay 3 · Tone 5 · Mix 2
Why these settings

The Dean Vendetta's humbuckers provide solid output, but Randy's signature tone relies heavily on the pronounced mid-range push of an MXR 10-Band EQ driving a crunchy British stack. Within the Zoom G1X Four, running the D-PLUS/GoldDrive model directly into the MS 800 amp block with boosted 800Hz and 3.2kHz delivers Randy's signature vocal bite without becoming harsh. Keep the amp gain moderate around 6 so the distortion pedal adds the harmonic saturation rather than overloading into digital fizz.

PRO TIPPick aggressively near the bridge with the edge of a heavy pick for sharp articulation, and use tight, fast wrist vibrato on sustained notes to emulate Randy's classical-influenced technique.

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