Tone library / Ozzy Osbourne / Mama, I'm Coming Home

Mama, I'm Coming Home amp settings — Fender Mustang LT25

The Ozzy Osbourne guitar tone for “Mama, I'm Coming Home”, dialed in for a Fender Mustang LT25 with a Ibanez GIO GRG170DX. Studio version, No More Tears (1991) — clean intro/verse/solo sections

Original rig

Gibson Chet Atkins CE (nylon-string piezo) → Chorus pedal → Marshall JCM 800 2203 (clean, plate reverb)

Warm, glassy clean with subtle chorus shimmer and medium reverb — intimate ballad tone
Amp settings — Fender Mustang LT25
CHANNELSelect '65 Twin Reverb' amp model (closest to clean JCM 800 platform on Mustang LT25)BOOSToff
GAIN 2 BASS 5 MID 6 TREBLE 4 PRESENCE 5 REVERB 5 MASTER 7
KnobSetting (0–10)
Gain2
Bass5
Mid6
Treble4
Presence5
Reverb5
Master7
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Guitar
PICKUPneck TONE6 VOLUME8
Signal chain

01Chorus (use Mustang LT25 built-in 'Chorus' effect)

Subtle shimmer — not a heavy 80s chorus. Keep depth moderate to avoid seasickness.

Speed 3 · Depth 4 · Level 6
Why these settings

Original used a nylon-string piezo into a clean Marshall — your Ibanez humbuckers are hotter and brighter. Compensate by using the neck pickup, rolling tone to 6, and backing volume to 8 for touch sensitivity. The Mustang's Twin model is warmer than its British models and better approximates the studio's clean, reverb-heavy sound. Treble dropped from original's 6.5 to 4 because Fender voicing is already bright.

PRO TIPPick closer to the neck (over the fretboard edge) and use the fleshy part of your thumb or fingers for the intro arpeggios — Zakk's nylon-string tone came partly from soft attack, which your steel strings won't replicate with a pointed pick near the bridge.

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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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