Mama, I'm Coming Home amp settings — Fender Mustang LT25
The Ozzy Osbourne guitar tone for “Mama, I'm Coming Home”, dialed in for a Fender Mustang LT25 with a Ibanez GIO GRG170DX. Studio version, No More Tears (1991) — clean intro/verse/solo sections
Gibson Chet Atkins CE (nylon-string piezo) → Chorus pedal → Marshall JCM 800 2203 (clean, plate reverb)
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 6 |
| Treble | 4 |
| Presence | 5 |
| Reverb | 5 |
| Master | 7 |
01Chorus (use Mustang LT25 built-in 'Chorus' effect)
Subtle shimmer — not a heavy 80s chorus. Keep depth moderate to avoid seasickness.
Original used a nylon-string piezo into a clean Marshall — your Ibanez humbuckers are hotter and brighter. Compensate by using the neck pickup, rolling tone to 6, and backing volume to 8 for touch sensitivity. The Mustang's Twin model is warmer than its British models and better approximates the studio's clean, reverb-heavy sound. Treble dropped from original's 6.5 to 4 because Fender voicing is already bright.
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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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