Ending credits amp settings — Marshall MG30CFX

The Opeth guitar tone for “Ending credits”, dialed in for a Marshall MG30CFX with a Ibanez RG550. Studio version, Damnation (2003)

Original rig

1980s PRS Custom 24 (neck pickup) into Fender Twin Reverb / Studio Fredman outboard preamp, dry studio ambiance

Warm, singing vintage clean/edge-of-breakup lead inspired by Andy Latimer of Camel

Amp settings — Marshall MG30CFX

CHANNELCrunchBOOSToff

Knob	Setting (0–10)
Gain	4
Bass	6
Mid	6
Treble	5
Reverb	2
Master	5

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Guitar

PICKUPneck TONE8 VOLUME9

Why these settings

The original lead was tracked clean and warm through a Fender Twin, aiming for an Andy Latimer/Camel flute-like sustain. On the Marshall MG30CFX, use the Crunch channel with moderate gain to provide soft edge-of-breakup sustain without harsh solid-state clipping. Treble is tamed to 5 and mids kept full at 6 to smooth out the RG550's sharper V7 neck pickup.

PRO TIPPick smoothly near the neck with the flesh or edge of the pick, using wide, slow vocal vibrato on sustained notes to emulate the expressive Camel/Latimer phrasing.

Get this tone on your amp

These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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Song, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.