Supersonic amp settings — Marshall MG30CFX
The Oasis guitar tone for “Supersonic”, dialed in for a Marshall MG30CFX with a Epiphone Les Paul Standard 50s. Studio version, Definitely Maybe (1994) — recorded December 1993 at Pink Museum, Liverpool
Epiphone Les Paul Standard (Korean Samick factory, Cherry Sunburst) into WEM/Watkins Dominator MKIII combo. No pedals on studio recording. Bonehead used Gibson SG into Marshall JCM900 for rhythm.
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 1 |
| Master | 6 |
The WEM Dominator is a low-wattage British valve amp with warm mids and natural breakup—not as aggressive as a Marshall. Your MG30CFX's OD1 channel is closer to this than OD2, which gets too modern and scooped. Mids pushed to 7 to compensate for the MG's naturally tighter voicing vs the loose, saggy Dominator. Treble at 6 prevents the solid-state harshness the Dominator wouldn't have. Gain at 6 gives the gritty-not-saturated character of the original.
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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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