Tone library / Nirvana / Stain

Stain amp settings — Laney Richter RB62

The Nirvana guitar tone for “Stain”, dialed in for a Laney Richter RB62 with a Squier Sonic mustang. Blew EP (1989) / Incesticide (1992) studio track

Original rig

Univox Hi-Flier / Epiphone ET-270 into Boss DS-1 Distortion into Twin Reverb / solid-state studio amp

Grungy, raspy, biting early Sub Pop grunge distortion with scooped mids
Amp settings — Laney Richter RB62
BRIGHToffBOOSToff
GAIN 2 BASS 5 MID 4 TREBLE 7 MASTER 5
KnobSetting (0–10)
Gain2
Bass5
Mid4
Treble7
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss DS-1 Distortion

Primary gain source direct into amp input

Tone 5 · Level 8 · Dist 10
Why these settings

The Laney RB62 is a flat, clean bass amplifier without built-in guitar presence or reverb, making it an ideal neutral pedal platform for Kurt's DS-1-driven tone. To prevent double-gain mush and harsh clashing frequencies, keep amp gain very low (2) and let the owned DS-1 supply 100% of the clipping. Because the Squier Sonic Mustang single-coil bridge pickup is naturally thin, keep the DS-1 Tone at noon rather than Kurt's usual sharper setting to avoid brittle top end through a full-range bass speaker. Note: tune the low E string down to D (Drop D tuning) to play this track accurately.

PRO TIPDig in hard with a medium-heavy pick right above the bridge pickup; Kurt’s aggressively unrefined, percussive strumming provides the characteristic grating crunch on the open muted strings.

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These settings are for a Laney Richter RB62. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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