Drain You amp settings — Jelar G-15
The Nirvana guitar tone for “Drain You”, dialed in for a Jelar G-15 with a Lea Hss. Studio version, Nevermind (1991) — also representative of Live at the Paramount, October 31, 1991
Fender Mustang (bridge single-coil) → Boss DS-1 (maxed) → EHX Small Clone → Mesa/Boogie Studio Preamp (clean) → Crown Power Base 2 → Marshall 4x12
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
01Boss DS-1 Distortion
RECOMMENDED — not currently owned. This pedal IS the Nirvana tone. Kurt ran Level and Dist maxed, Tone around 11 o'clock. Without it, use amp gain as substitute (settings above reflect this).
02Electro-Harmonix Small Clone Chorus
RECOMMENDED — not currently owned. Used on bridge breakdown section only. Depth switch always UP (full). If unavailable, skip — the main riff is dry.
Your Jelar G-15 is an unknown/budget modeling amp, so I've set it to use its highest-gain channel to simulate the DS-1's saturated character since you have no pedals. Kurt's original amp was CLEAN — the DS-1 did all the work. Without that pedal, you must use amp gain instead, which will sound thicker and less razor-edged. Mid pushed to 7 to compensate for the DS-1's natural mid-forward voicing. Your HSS Lea's bridge humbucker will be hotter than Kurt's Mustang single-coil, so treble is pulled back to 6 to avoid harshness.
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These settings are for a Jelar G-15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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