Come as you are amp settings — Laney lx12 Lx12 extreme
The Nirvana guitar tone for “Come as you are”, dialed in for a Laney lx12 Lx12 extreme with a Baracude Strat. Studio version, Nevermind (1991) — recorded at Sound City Studios with Butch Vig
1965 Fender Jaguar with DiMarzio humbuckers, Mesa/Boogie Studio Preamp into Crown power amp + Marshall 4x12, Electro-Harmonix Small Clone chorus (Deep mode), Boss DS-1 for solo/heavy sections
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Treble | 6 |
| Reverb | 1 |
| Master | 4 |
01Boss DS-1 Distortion
Engage ONLY for the solo and heavy chorus sections. Keep OFF for the main verse riff — that's clean with chorus. When DS-1 is ON, amp gain must stay at 2 or lower.
02Chorus Pedal (Electro-Harmonix Small Clone or similar)
RECOMMENDED — not currently owned. This is THE defining sound of the song. Set depth switch to 'Deep' if available. A Boss CH-1, TC Electronic Corona, or Behringer Ultra Chorus are affordable alternatives. Without chorus, you cannot authentically recreate this tone.
The Laney LX12 is a solid-state practice amp with bass/treble only (no mid knob), so mid is null. Kurt's Mesa preamp was set relatively clean with boosted highs — your Laney's treble at 6 and bass at 5 approximates this. Keep gain low at 2; Kurt's dirt came from the DS-1, not amp overdrive. The LX12's inherent brightness compensates for the Strat's single coils vs Kurt's humbucker-loaded Jaguar.
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These settings are for a Laney lx12 Lx12 extreme. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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