Come As You Are amp settings — Harley Benton HB-20MFX
The Nirvana guitar tone for “Come As You Are”, dialed in for a Harley Benton HB-20MFX with a Ibanez GIO GRG170DX. Studio cut, Nevermind (1991) — iconic watery clean intro and main riff
1965 Fender Jaguar / Mustang (neck pickup, D standard tuning) -> EHX Small Clone chorus -> Mesa/Boogie Studio Preamp / Fender Twin Reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 5 |
| Treble | 4 |
| Reverb | 2 |
| Master | 5 |
01Onboard Mod FX (Chorus)
Select the onboard Chorus modulation on the HB-20MFX
The HB-20MFX is a digital modeling amp, so we select its cleanest Fender-style voicing with low gain to replicate the headroom of the studio preamp and Twin Reverb. Cobain's tone is warm and watery rather than bright, so treble is pulled back to 4 with the Ibanez neck humbucker slightly rolled off to emulate a darker Mustang neck pickup. The onboard chorus handles the essential Small Clone modulation with high depth and a slow-to-medium rate. Chorus bypass: switch off modulation for the heavy chorus section if playing with an external dirt sound.
Get this tone on your amp
These settings are for a Harley Benton HB-20MFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.