Cielos abiertos amp settings — Fender Blues Junior IV
The New Wine guitar tone for “Cielos abiertos”, dialed in for a Fender Blues Junior IV with a Yamaha Pacifica 112V. Studio version, Encuentranos Espíritu Santo (2017)
Contemporary worship standard: Fender-style clean amp (likely Twin/Deluxe Reverb or modeler), Strat or HSS guitar, heavy ambient delay and reverb, subtle compression
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 5 |
| Treble | 6 |
| Reverb | 4 |
| Master | 4 |
01Flamma FX150 - Compressor Block
Light studio compression for sustain and note bloom; keeps dynamics alive
02Flamma FX150 - Chorus Block
Subtle analog-style chorus for width; engage during verse pads
03Flamma FX150 - Delay Block
Dotted-eighth or quarter-note delay (~400-500ms) synced to 75 BPM; worship standard for rhythmic ambience
04Flamma FX150 - Reverb Block
Hall or plate reverb; long tail for atmospheric wash—this is the signature worship sound
The Blues Junior is ideal for this tone—Fender cleans are the worship genre backbone. Gain at 3 gives a pristine clean that breaks up only on hard strums, matching the dynamic worship style. Fat switch OFF preserves the balanced EQ stack; turning it on would add unnecessary low-end mud for this shimmery style. Your Pacifica's HSS configuration with the neck single-coil will nail the glassy, bell-like top end. Roll tone to 7 to tame any harshness from the alnico V pickup.
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These settings are for a Fender Blues Junior IV. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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