Khat amp settings — Line 6 Helix Floor
The Navjot Ahuja guitar tone for “Khat”, dialed in for a Line 6 Helix Floor with a Fender American Professional II Stratocaster. Studio single (2025), acoustic fingerpicking and strumming
Steel-string acoustic guitar (capo 4th fret) recorded via studio condenser microphone directly into a transparent clean preamp
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 4 |
| Treble | 7 |
| Reverb | 3 |
| Master | 8 |
01Helix Studio Pre Block
Provides clean, uncolored headroom replicating a direct studio condenser chain
02Helix LA Studio Comp Block
Smooths fingerpicking dynamics and adds sustain without squashing transient response
03Helix Room Reverb Block
Recreates the close, dry studio environment of the original acoustic capture
Because the original is a mic'd acoustic steel-string guitar, your electric Strat needs an ultra-clean studio preamp block rather than a conventional guitar amp. Position 4 (neck+middle) hollows out the electric midrange to mimic acoustic resonance, while an owned TS9 is kept bypassed to prevent any magnetic drive. Treble is elevated to replicate condenser microphone air on bronze strings.
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These settings are for a Line 6 Helix Floor. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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