Tone library / Metallica / Wherever i may room

Wherever i may room amp settings — Valeton GP-100

The Metallica guitar tone for “Wherever i may room”, dialed in for a Valeton GP-100 with a Gibson Flying V. Studio version, Metallica (The Black Album, 1991) - Main Riff

Original rig

Mesa/Boogie Mark IIC+ (slaved into Mesa Strategy 400 power amp) + Marshall 1960B 4x12 cab (Celestion V30s) + ESP MX-220 / Gibson Flying V with EMG 81/60 + Coral Electric Sitar (intro)

Thick, scooped yet punchy high-gain thrash crunch with tight low-end and razor bite
Amp settings — Valeton GP-100
CHANNELUS HIGAIN (Mesa Mark-style) + 4x12 Recto V30 Cab IRBOOSToff
GAIN 7 BASS 6 MID 3 TREBLE 7 PRESENCE 6 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain7
Bass6
Mid3
Treble7
Presence6
Reverb2
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01NR (Noise Gate Block)

Essential to clamp high gain on the GP-100

Threshold 6 · Decay 3

02EQ (Graphic EQ Block)

Classic Mesa 'V' post-EQ shape

80Hz 6 · 240Hz 7 · 750Hz 2 · 2.2kHz 7 · 6.6kHz 6
Why these settings

The GP-100 Mesa model ('US HIGAIN') delivers the core Mark IIC+ preamp saturation, but the iconic Black Album tone requires a severe mid-cut applied via the post-amp Graphic EQ block (cutting around 750Hz while boosting low-thump and high bite). Since your Flying V provides thick passive/active humbucker low-mids, keeping pre-gain mids moderate and shaping the V-curve in the EQ prevents muddy palm mutes. Clean/sitar intro: switch to an acoustic simulator or clean block with subtle chorus.

PRO TIPLock your picking hand tight against the bridge saddle and execute strictly aggressive downstrokes for the signature heavy percussive chug.

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These settings are for a Valeton GP-100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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