Tone library / Metallica / Solo enter sandman

Solo enter sandman amp settings — Valeton GP-100

The Metallica guitar tone for “Solo enter sandman”, dialed in for a Valeton GP-100 with a Gibson Flying V. Lead guitar solo, Metallica (The Black Album, 1991)

Original rig

ESP M-II with EMG 81, Dunlop Cry Baby Wah, Mesa Boogie Mark IV / Quad Preamp and Strategy 400 power section into Mesa 4x12 cabs

Saturated, searing high-gain lead tone with extended sustain, rich upper-mid harmonics, and signature wide wah sweep
Amp settings — Valeton GP-100
CHANNELMesa Mark IV / Cali Lead model + Mesa 4x12 V30 Cab IRBRIGHTonBOOSTon
GAIN 8 BASS 5 MID 7 TREBLE 7 PRESENCE 6 REVERB 3 MASTER 7
KnobSetting (0–10)
Gain8
Bass5
Mid7
Treble7
Presence6
Reverb3
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Dunlop Cry Baby Wah Block

Assign expression pedal to sweep; toe-down for top octave screams

Position 5 · Range 8 · Q 7

02TS Overdrive Block (Pre-Amp Boost)

Tightens low end and increases sustain before the amp block

Gain 1 · Tone 6 · Level 8

03Digital Delay Block

Post-amp / FX loop routing, roughly 380ms for solo space

Time 4 · Feedback 3 · Mix 3
Why these settings

Kirk Hammett used active EMG 81 pickups into a saturated Mesa Mark-series lead channel; with passive Flying V humbuckers, pushing the onboard TS boost block provides the necessary front-end compression and harmonic reach. Keep the midrange prominent at 7 on the lead amp model rather than scooped so the solo cuts through the wah filter. Digital Delay and subtle studio Reverb sit post-amp block in the GP-100 to replicate the album mix space.

PRO TIPKirk keeps the wah pedal continuously active throughout the entire solo, rocking aggressively on bent notes and parking it near the toe-down position during the fast pentatonic runs to emphasize bite.

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These settings are for a Valeton GP-100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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