Tone library / Metallica / Master of Puppets

Master of Puppets amp settings — Peavey Backstage II

The Metallica guitar tone for “Master of Puppets”, dialed in for a Peavey Backstage II with a Ibanez GIO GRG170DX. Studio version, Master of Puppets album (1986) — iconic rhythm riff tone

Original rig

Mesa/Boogie Mark IIC+ head, Marshall 4x12 cabinet, 1984 Gibson Explorer with EMG 81 (bridge), Boss CS-1 Compressor in FX loop for sustain

Tight, aggressive rhythm crunch with scooped low-mids, sharp upper-mid attack, and controlled low-end thump
Amp settings — Peavey Backstage II
GAIN 10 BASS 4 MID 6 TREBLE 7 MASTER 6
KnobSetting (0–10)
Gain10
Bass4
Mid6
Treble7
Master6
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss MT-2 Metal Zone or ProCo RAT

RECOMMENDED — not currently owned. The Backstage II is a 35-watt solid-state practice amp with limited gain; it cannot produce Mark IIC+ saturation. A Metal Zone or RAT into the clean amp is essential for this tone. Run amp gain at 3-4 when using this pedal.

Level 7 · Low 4 · High 6 · Mid 5 · Mid Freq 6 · Dist 7
Why these settings

The Peavey Backstage II is a clean-voiced solid-state practice amp — even maxed, its gain cannot approach Mesa Mark IIC+ saturation. I've set amp gain to 10 as your current maximum, but this will sound weak and fizzy without a distortion pedal. The GRG170DX's Infinity R humbuckers are lower output than EMG 81s, so I've pushed treble +1 and kept mids higher than the original's scooped setting to compensate for the amp's lack of mid-focus. With the recommended pedal, drop amp gain to 3-4 and let the pedal drive.

PRO TIPHetfield's right-hand attack is 90% of this tone — aggressive all-downstroke picking with the pick angled slightly and palm muting just behind the bridge saddles. Practice the gallop pattern slowly with consistent muting pressure before speeding up.

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These settings are for a Peavey Backstage II. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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