Master of puppets amp settings — Cort CM15-R
The Metallica guitar tone for “Master of puppets”, dialed in for a Cort CM15-R with a Cort G250SE. Studio version, Master of Puppets album (1986)
Mesa Boogie Mark IIC+ 'Crunchberries' → Marshall JCM800 power amp → Marshall 4x12 with Celestion G12T-75 speakers; Jackson King V with Seymour Duncan Invaders (later EMG 81/60)
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 7 |
| Mid | 3 |
| Treble | 7 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Metal Zone (Boss MT-2) or similar high-gain distortion
RECOMMENDED — not currently owned. The CM15-R's overdrive channel lacks the gain saturation and tight low-end compression of the Mark IIC+. A high-gain pedal is essential to approach this tone. If using a pedal, set amp gain to 3 and use the clean channel.
The Cort CM15-R is a basic solid-state practice amp that cannot replicate the Mark IIC+'s high-gain saturation and tight low-end response. I've maxed the amp's usable gain and scooped the mids to mimic the classic 'V-curve' thrash EQ. Without a high-gain pedal, you will get a fuzzy, loose approximation rather than the tight, defined chunk of the original. The G250SE's passive humbuckers have less output and compression than EMG actives, so I've pushed treble and bass slightly higher to compensate for the thinner attack.
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These settings are for a Cort CM15-R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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