(Anesthesia)—Pulling Teeth amp settings — Marshall Bass state b30
The Metallica guitar tone for “(Anesthesia)—Pulling Teeth”, dialed in for a Marshall Bass state b30 with a Fender American Professional II Jazz Bass. Studio version, Kill 'Em All (1983) — solo fuzz bass track
Rickenbacker 4001 (modded with Gibson EB-0 mudbucker neck & Seymour Duncan Strat single-coil at bridge) into Morley Power Wah Fuzz / Electro-Harmonix Russian/Civil War Big Muff into Sunn Coliseum / Marshall Super Bass
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 8 |
| Treble | 5 |
| Reverb | 0 |
| Master | 6 |
01Dunlop Cry Baby 105Q Bass Wah
Placed first in chain; sweep actively or cock halfway for the opening filtered resonance
02Boss OS-2 OverDrive/Distortion
Rotate Color knob far toward DS (Distortion) side to replicate the aggressive Big Muff/Power Fuzz clipping
Cliff ran an EHX Big Muff and Morley fuzz into high-headroom valve amps; your Boss OS-2 dialed to full distortion provides the intense saturation, while the Marshall Bass State B30 is kept clean at gain 2 to prevent muddy double-gain breakup. The B30 EQ boosts mids to 8 to reproduce Cliff's cutting lead frequencies without fizzing out through the 10-inch practice driver. Tone and volume are wide open to drive the OS-2 with maximum transient attack.
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These settings are for a Marshall Bass state b30. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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