The Right to Go Insane (2019 Remaster) amp settings — Valeton GP-100
The Megadeth guitar tone for “The Right to Go Insane (2019 Remaster)”, dialed in for a Valeton GP-100 with a Yamaha Pacifica 112V. Studio version, Endgame (2009 / 2019 Remaster) - Main heavy rhythm track
Dean Dave Mustaine Signature VMNT (Seymour Duncan LiveWire active humbuckers) into Marshall JVM410H / Engl SE amp blended by Andy Sneap, boosted with Ibanez TS9 / Maxon OD808 into Marshall 1960BV 4x12 cab
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 7 |
| Reverb | 0 |
| Master | 8 |
01T-Scream (Valeton GP-100 Overdrive Block)
Used in front of amp model as a clean boost to tighten bass tracking and add upper-mid cut
02Noise Gate (Valeton GP-100 NR Block)
Essential to clamp high-gain hum and keep palm-muted riffing tight
The GP-100's UK 410 Lead block recreates the modern Marshall/Sneap high-gain core. Running the T-Scream block with zero drive and high level replicates the Maxon/TS9 tightening technique used on Endgame, cutting flub before the preamp. Because the Yamaha Pacifica 112V bridge humbucker is passive and slightly brighter than Mustaine's high-output active LiveWires, mids are pushed to 7 with bass kept centered to retain punch without harshness.
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