Tone library / Megadeth / Hangar 18

Hangar 18 amp settings — Marshall MG30CFX

The Megadeth guitar tone for “Hangar 18”, dialed in for a Marshall MG30CFX with a Gibson Flying V. Studio version, Rust in Peace (1990) — Marty Friedman lead/solo tone

Original rig

Jackson Kelly (Seymour Duncan SH-4 JB) → Ibanez Tube Screamer → Bogner Triple Giant preamp → Marshall 1960 cab

Tight, aggressive high-gain with searing upper-mids, singing lead sustain, and precise articulation
Amp settings — Marshall MG30CFX
CHANNELCleanBOOSToff
GAIN 2 BASS 6 MID 7 TREBLE 7 REVERB 2 MASTER 5
KnobSetting (0–10)
Gain2
Bass6
Mid7
Treble7
Reverb2
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Behringer HD300 Heavy Distortion

Main high-gain distortion source run into the clean channel

Dist 7 · Tone 7 · Bottom 5 · Gain Boost 6 · Level 6
Why these settings

Because you are using the Behringer HD300 distortion pedal as your primary high-gain drive source, the Marshall MG30CFX is set to its Clean channel with gain dropped to 2 to prevent muddy double-gain stacking. The amp's mid and treble are pushed to 7 to replicate the piercing, upper-mid bite of the Bogner Triple Giant and Seymour Duncan JB humbucker. Presence is omitted as the MG30CFX faceplate does not feature a dedicated presence control.

PRO TIPMarty Friedman picks with an unorthodox upward wrist angle near the bridge, creating an ultra-sharp, percussive pick attack; angle your pick slightly towards the headstock and strike firmly with the bridge pickup engaged for authentic articulation.

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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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