Kinderfeld amp settings — Orange Rockerverb 50 MKIII
The Marilyn Manson guitar tone for “Kinderfeld”, dialed in for a Orange Rockerverb 50 MKIII with a Gibson Flying V. Studio version, Antichrist Superstar (1996) — heavy industrial rhythm track
Gibson Les Paul / Fernandes with DiMarzio humbuckers into Mesa/Boogie Dual Rectifier & Marshall JCM800 mixed with Zoom/DigiTech digital processing and ADA MP-1
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 4 |
| Treble | 7 |
| Reverb | 0 |
| Master | 5 |
01Friedman BE-OD
Gain source — set Tight high to eliminate loose low-end flap
02MXR 10 Band EQ
Slight scoop at 500Hz with 2k-4k push to mimic cold industrial console EQ
The Rockerverb has thick, naturally dark low-mids that fight against the sterile, mechanical bite of Antichrist Superstar, so the amp is run clean while the Friedman BE-OD serves as the dedicated high-gain engine. The BE-OD's Tight knob clamped at 8 strips the vintage Orange looseness, while the MXR 10-Band carves out 500Hz to simulate Trent Reznor and Daisy Berkowitz's studio console processing. For the chorus textures and eerie bridge arpeggios, engage the Ibanez Flanger Mini set to a slow, shallow sweep.
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These settings are for a Orange Rockerverb 50 MKIII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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