Tone library / Malcolm Todd / Earrings

Earrings amp settings — Fender Hot Rod Deluxe IV

The Malcolm Todd guitar tone for “Earrings”, dialed in for a Fender Hot Rod Deluxe IV with a Fender American Professional II Stratocaster. Studio version, Sweet Boy (2024)

Original rig

Fender Stratocaster (single-coil) -> Fuzz pedal -> Chorus pedal -> Vox AC15C1 with spring reverb

Lo-fi fuzzy warmth with wobbly chorus, psychedelic and bedroom-produced feel
Amp settings — Fender Hot Rod Deluxe IV
CHANNELDriveBRIGHToffBOOSToff
GAIN 6 BASS 6 MID 7 TREBLE 4 PRESENCE 3 REVERB 5 MASTER 4
KnobSetting (0–10)
Gain6
Bass6
Mid7
Treble4
Presence3
Reverb5
Master4
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Guitar
PICKUPneck+middle TONE7 VOLUME9
Signal chain

01Electro-Harmonix Big Muff Pi (or Fuzz Face)

RECOMMENDED — not currently owned

Volume 6 · Tone 4 · Sustain 7

02Boss CE-2W Chorus

RECOMMENDED — not currently owned

Rate 6 · Depth 7
Why these settings

Because you do not currently own pedals, the Hot Rod Deluxe IV is set to its Drive channel at gain 6 to provide the necessary saturation. The amp's natural treble shelf is rolled back to 4 and mids boosted to 7 to smooth out the Stratocaster's top-end and mimic a darker Vox breakup. Adding a dedicated fuzz and chorus pedal down the line will nail the exact lo-fi wobble; when added, switch the amp to the Clean channel with gain at 2.

PRO TIPUse position 4 (neck+middle) with the guitar's tone rolled back to around 7 to replicate the soft, lo-fi bedroom aesthetic before hitting the amp's drive stage.

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These settings are for a Fender Hot Rod Deluxe IV. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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