Tone library / Local H / Hi-Fiving MF (live)

Hi-Fiving MF (live) amp settings — Fender Twin Reverb

The Local H guitar tone for “Hi-Fiving MF (live)”, dialed in for a Fender Twin Reverb with a Fender Jaguar. Live version, Alive '05 (2005) - Scott Lucas's signature crushing tone

Original rig

Marshall JCM800 or JCM900 cranked, Gibson Les Paul with humbuckers, ProCo Rat distortion, Boss OC-2 Octave (for bass frequencies since Local H is a two-piece)

Massive wall-of-sound distortion with thick low-end compensation, aggressive mid-forward crunch filling both guitar and bass frequencies
Amp settings — Fender Twin Reverb
CHANNELNormal or Vibrato channelBRIGHToff
GAIN 3 BASS 7 MID 6 TREBLE 5 PRESENCE 4 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain3
Bass7
Mid6
Treble5
Presence4
Reverb0
Master6
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01ProCo Rat (or similar distortion)

RECOMMENDED — not currently owned. Essential for this tone. The Rat is Scott Lucas's core dirt sound. Amp stays clean; pedal provides all gain.

Distortion 7 · Filter 4 · Volume 7

02Boss OC-2 or similar octave pedal

RECOMMENDED — not currently owned. Local H uses octave-down to fill bass frequencies as a two-piece. Engage for verses/heavy sections, bypass for leads.

Direct Level 6 · Octave 1 5 · Octave 2 3
Why these settings

The Twin Reverb cannot produce high-gain distortion from its preamp—it's a clean platform amp. Set it near-clean with gain at 3 and let a Rat-style pedal handle all saturation. Boosted bass and mids compensate for the Jaguar's brighter single coils versus Lucas's Les Paul humbuckers. The bright switch stays off to avoid ice-pick highs.

PRO TIPScott Lucas runs an octave pedal to cover bass frequencies since Local H has no bassist—blend the octave-down subtly so it thickens the low-end without sounding like a synth. Pick hard near the bridge for that aggressive attack.

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These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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