Faint amp settings — Harley HB-20R
The LINKIN PARK guitar tone for “Faint”, dialed in for a Harley HB-20R with a Harley Benton Standard Series. Studio version, Meteora (2003)
Mesa/Boogie Dual Rectifier, PRS Custom 24 with humbuckers, Tube Screamer (for tightening), Boss NS-2 Noise Suppressor
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Mid | 4 |
| Treble | 7 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Tube Screamer style overdrive (TS9 / TS808 clone)
RECOMMENDED — not currently owned. Essential for tightening the low-end and adding pick attack. Run into amp input. Without this pedal, the HB-20R's gain will sound loose and flabby on palm mutes.
02Noise Gate (Boss NS-2 or similar)
RECOMMENDED — not currently owned. Keeps silence between chugs tight. Critical for nu-metal precision.
The HB-20R is a basic 20W practice amp without the rectifier sag or high-gain saturation of Delson's Dual Rectifier. I've pushed gain to 8 (not 10) because small solid-state amps get fizzy at max; the Tube Screamer recommendation compensates by adding the tight compression and mid-push that defines the Meteora tone. Mids are set to 4 rather than the heavily scooped 3 on the original because the HB-20R lacks low-end authority—scooping further would make it thin and weak. Treble raised to 7 to compensate for the amp's duller speaker response vs a 4x12 Rectifier cab.
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