Stuck amp settings — Fender Twin Reverb
The Limp Bizkit guitar tone for “Stuck”, dialed in for a Fender Twin Reverb with a Fender Player Stratocaster. Studio version, Three Dollar Bill, Y'all$ (1997) - Main heavy riff
Mesa/Boogie Dual Rectifier + Ibanez 7-string (RG7620) / customized guitars + DigiTech Whammy + Boss pedals
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 7 |
| Mid | 4 |
| Treble | 4 |
| Reverb | 0 |
| Master | 4 |
01Mesa-style High-Gain Distortion / Preamp (e.g. Throttle Box / Revv G3)
RECOMMENDED — not currently owned
A Fender Twin Reverb has enormous clean headroom and naturally scooped mids, meaning it cannot produce Wes Borland's crushing Dual Rectifier saturation on its own. Amp gain is pushed to its musical breakup limit while cutting treble to tame the Twin's glassy 6kHz top end and single-coil Strat bite. To fully capture the record's heavy wall of sound, a dedicated high-gain distortion pedal in front of the Twin's clean channel is essential. Clean verse: roll guitar volume back to 4-5.
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These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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