Tone library / Led Zeppelin / Stairway to Heaven

Stairway to Heaven amp settings — Zoom G1X Four

The Led Zeppelin guitar tone for “Stairway to Heaven”, dialed in for a Zoom G1X Four with a Squier Affinity Stratocaster. Studio version, Led Zeppelin IV (1971) — solo section (distorted)

Original rig

1959 Fender Telecaster (bridge pickup) → Supro Coronado 1690T (12-inch Oxford speaker with Pulsonic cone, cold-biased). Light spring reverb from the amp. No pedals.

Warm, slightly broken-up crunch with singing sustain, mid-forward with vintage single-coil clarity and light compression from the amp running near breakup.
Amp settings — Zoom G1X Four
CHANNELFD TWNR (Fender Twin Reverb model) or US BLUES (closest to clean-edge-of-breakup Supro character)BOOSToff
GAIN 5 BASS 6 MID 6 TREBLE 6 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain5
Bass6
Mid6
Treble6
Reverb2
Master7
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Zoom G1X Four — ZNR (noise reduction)

Optional — only if noise floor is high. Bypass if clean signal.

Thresh 3 · Decay 5

02Zoom G1X Four — Comp (compressor block)

Adds the sustain and touch-sensitivity of the cold-biased Supro. Light squeeze, not squashed.

Sense 4 · Tone 5 · Level 6 · Attack 5
Why these settings

The original Supro had a warm, slightly compressed breakup with pronounced mids — your G1X Four's FD TWNR or US BLUES amp model gets closest to that edge-of-breakup character. Strat single-coils are brighter and thinner than Page's Telecaster bridge pickup, so treble is pulled back from the original 7 to 6, and mid is boosted from 5 to 6 to recover body. The compressor block replaces the natural sag of the cold-biased Supro output section.

PRO TIPRoll your guitar's tone knob to 7 and dig in with your pick near the neck pickup area — Page played the solo with an aggressive but fluid attack that let the amp's breakup bloom naturally on sustained notes.

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