coming undone amp settings — Fender Mustang LT25
The korn guitar tone for “coming undone”, dialed in for a Fender Mustang LT25 with a donner standard. Studio version, See You on the Other Side (2005)
Ibanez K7 7-string with DiMarzio PAF 7 humbuckers → Mesa/Boogie Triple Rectifier (Red/Modern High Gain channel), DigiTech Whammy 4 for pitch effects
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 7 |
| Mid | 3 |
| Treble | 6 |
| Reverb | 0 |
| Master | 5 |
The Mustang LT25 lacks a true high-gain Rectifier model, but Metal 2000 is the closest voicing with tight low-end and scooped character. Original ran gain 9 on a Triple Rec; the LT25's digital gain saturates faster, so 8 gets similar saturation without mud. Mid dropped to 3 (vs original 4.5) because the Metal 2000 model is already mid-forward compared to a real scooped Rectifier. Bass raised to 7 to compensate for the 8-inch speaker's thinner low-end response. Reverb at 0—the original is bone dry.
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