seisyun complex amp settings — Bogner Ecstasy 101B
The kessoku band guitar tone for “seisyun complex”, dialed in for a Bogner Ecstasy 101B with a Epiphone Les Paul Standard 60s. Studio album cut, Kessoku Band (2022) — Lead/main riff guitar (played by studio guitarist/arranger Ritsuo Mitsui)
Gibson Les Paul Custom into Marshall JCM900 / Bogner Shiva style high-gain rig pushed with a ProCo Rat / Blues Driver style overdrive
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 6 |
| Reverb | 0 |
| Master | 4 |
01ProCo RAT2
Used as a classic tightening boost in front of the Red channel (Gain low, Level high)
The Bogner Ecstasy 101B's Red channel natively provides the thick boutique lead voice heard on modern Japanese anime-rock productions. Rather than letting the amp's bottom get too loose, the RAT2 is dialed with low distortion and high volume to shave flubby sub-bass and push the 1–2 kHz cut before hitting the preamp. Your Epiphone Les Paul Standard 60s humbuckers provide the exact body needed; keeping the amp mids at 7 ensures the complex riffing stays intelligible in a dense mix. Clean verse/intro sections: switch the amp back to the Clean channel and bypass the RAT2.
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These settings are for a Bogner Ecstasy 101B. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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