Tone library / Katy perry / The one that got away

The one that got away amp settings — Line 6 Catalyst 200

The Katy perry guitar tone for “The one that got away”, dialed in for a Line 6 Catalyst 200 with a Fender American Professional II Stratocaster. Acoustic / Live performance version (Teenage Dream: The Complete Confection / 2011 AMAs)

Original rig

Gibson acoustic / Taylor acoustic guitar via DI, studio compression, EQ sparkle and studio plate reverb

Crisp, sparkling, dynamic acoustic rhythm tone with pristine high-end air and studio polish
Amp settings — Line 6 Catalyst 200
CHANNELAcoustic (Amp Type: Acoustic)BRIGHToffBOOSToff
GAIN 3 BASS 5 MID 4 TREBLE 7 PRESENCE 6 REVERB 4 MASTER 5
KnobSetting (0–10)
Gain3
Bass5
Mid4
Treble7
Presence6
Reverb4
Master5
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Guitar
PICKUPneck+middle TONE10 VOLUME10
Signal chain

01Line 6 Pod Go - Deluxe Comp Block

In front of amp - balances strumming dynamics and adds studio pop polish

Threshold 6 · Ratio 4 · Attack 3 · Release 5 · Level 6

02Line 6 Pod Go - Acoustic Sim / Parametric EQ Block

Scoops harsh 800Hz electric mids and adds 10kHz air for acoustic simulation

Low Cut 3 · Mid Freq 5 · Mid Cut 3 · High Boost 7

03Line 6 Pod Go - Plate Reverb Block

In FX loop or end of chain

Decay 5 · Predelay 2 · Tone 6 · Mix 3
Why these settings

Because the original studio track is synth/piano-driven and the guitar feature is Katy Perry's acoustic version, the Catalyst 200 is set to its dedicated Acoustic amp voicing. Position 4 (neck+middle) on the Stratocaster delivers the clucky, scooped transient attack that emulates an acoustic piezo pickup best. Pod Go provides transparent optical compression and top-end sheen to mimic studio DI acoustic tracking.

PRO TIPStrum lightly using a thin nylon pick (around 0.60mm) right over the middle pickup to produce the bright, percussive acoustic snap heard on pop acoustic cuts.

Get this tone on your amp

These settings are for a Line 6 Catalyst 200. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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