Tone library / Kane Roberts / Rebel Heart

Rebel Heart amp settings — Donner Arena 2000

The Kane Roberts guitar tone for “Rebel Heart”, dialed in for a Donner Arena 2000 with a Epiphone Les Paul Studio. Studio version, Saints and Sinners (1991)

Original rig

Modified Marshall JCM800 / Soldano SLO-100 rack rigs, Ibanez/Kramer custom superstrats with high-output humbuckers, mixed by Michael Wagener

Slick early-90s arena rock crunch, tight low end, polished upper-mid bite, and studio plate sheen
Amp settings — Donner Arena 2000
CHANNELUK 800 (or Lead 800 / SLO 100 model) + 4x12 Greenback Cab IRBRIGHTonBOOSToff
GAIN 7 BASS 5 MID 6 TREBLE 7 PRESENCE 6 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain7
Bass5
Mid6
Treble7
Presence6
Reverb0
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Overdrive Block (Tube Screamer style)

Tightens low end before the amp model

Drive 2 · Tone 6 · Level 8

02Delay Block (Digital/Analog)

Post-amp/FX chain, subtle 80s arena bounce

Time 4 · Feedback 3 · Mix 3

03Reverb Block (Studio Plate/Hall)

Post-amp/FX chain

Decay 4 · Mix 3
Why these settings

Kane's tone on Saints and Sinners has a massive, polished hot-rodded Marshall crunch engineered by Michael Wagener. On your Donner Arena 2000, using the UK 800 model pushed with an onboard OD block set as a clean boost recreates that tight, saturated attack. Your Les Paul Studio humbuckers have plenty of warmth and output, so keeping the mids and treble around 6-7 ensures authentic cut and bite. For the clean intro/breakdown parts, roll your guitar volume back to 4 or switch to the neck pickup with the OD block bypassed.

PRO TIPDig in with a firm, angled pick stroke right above the bridge pickup to capture the aggressive, harmonically rich pinch harmonics that Kane Roberts uses across the main riff.

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These settings are for a Donner Arena 2000. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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