Tone library / Jeff Buckley / Hallelujah

Hallelujah amp settings — Orange Crush 20

The Jeff Buckley guitar tone for “Hallelujah”, dialed in for a Orange Crush 20 with a Squier Affinity Telecaster. Studio recording, Grace (1994)

Original rig

1983 Fender Telecaster (top-loader, Seymour Duncan bridge pickup) -> Alesis QuadraVerb rack unit ('Taj Mahal' hall preset) -> Fender '63 Reissue Vibroverb combo

Pristine, chiming, ambient clean drenched in cavernous hall reverb with articulate single-coil top end
Amp settings — Orange Crush 20
CHANNELClean
GAIN 2 BASS 4 MID 5 TREBLE 7 MASTER 6
KnobSetting (0–10)
Gain2
Bass4
Mid5
Treble7
Master6
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Guitar
PICKUPmiddle TONE9 VOLUME10
Signal chain

01Boss DD-7 Digital Delay

Direct into amp input; set Mode to Modulate or Analog with quick, diffuse repeats to mimic the QuadraVerb wash

E.Level 5 · F.Back 6 · D.Time 4 · Mode 4

02Tube Screamer (TS9)

Bypassed — leave off for this track

Drive 0 · Tone 5 · Level 0
Why these settings

The Orange Crush 20 naturally has thick low-mids and a darker voice than Buckley's Fender Vibroverb, so Treble is pushed to 7 and Bass trimmed to 4 for Fender chime. Because the Crush 20 lacks built-in reverb and the Alesis QuadraVerb 'Taj Mahal' hall sound is essential, the Boss DD-7 is dialed as a modulated ambient wash behind the Telecaster. Your Squier Telecaster in the middle pickup position perfectly reproduces the open, airy chord articulation of the original.

PRO TIPPlace a capo at the 5th fret and use hybrid picking (pick on the bass strings, fingers gently plucking the treble strings) to capture Buckley's dynamic touch and chime.

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These settings are for a Orange Crush 20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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