Tone library / Guns N' Roses / November Rain

November Rain amp settings — Fender Twin Reverb

The Guns N' Roses guitar tone for “November Rain”, dialed in for a Fender Twin Reverb with a Squier Bullet Stratocaster. Studio version, Use Your Illusion I (1991)

Original rig

Marshall JCM800 2203 (modded), Kris Derrig '59 Les Paul replica with Seymour Duncan Alnico II Pros, no pedals — sustain via amp breakup and room feedback

Singing, vocal lead tone with warm sustain, mid-forward bark, lush hall reverb
Amp settings — Fender Twin Reverb
CHANNELVibrato channelBRIGHToff
GAIN 0 BASS 6 MID 7 TREBLE 5 PRESENCE 0 REVERB 6 MASTER 5
KnobSetting (0–10)
Gain0
Bass6
Mid7
Treble5
Presence0
Reverb6
Master5
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Guitar
PICKUPneck TONE6 VOLUME10
Signal chain

01Tube Screamer (TS9) or clone

RECOMMENDED — not currently owned. Essential for this tone; the Twin Reverb will not break up at safe volumes. The TS provides the mid-hump and singing sustain Slash gets from the JCM800's preamp. Run into the clean Twin, this is your entire gain stage.

Drive 5 · Tone 4 · Level 7
Why these settings

The Twin Reverb is a clean platform with a high treble shelf and scooped mids — opposite of the mid-forward JCM800. Compensated by pushing mids to 7 (vs original ~6.5), dropping treble to 5 (Twin is brighter), and keeping bass at 6 for warmth. Your Strat's single coils are brighter and lower output than Slash's humbuckers, so the TS's tone knob is rolled back to 4 to tame ice-pick highs. Without an overdrive pedal, this tone is unobtainable on a Twin — the amp stays clean until ear-damaging volumes.

PRO TIPSlash's sustain on this solo comes from controlled feedback at high volume, not a sustainer pedal. At bedroom levels, cheat it by standing close to your amp and angling the neck pickup toward the speaker — the magnetic field couples and you'll catch natural feedback on the G and B strings where the solo lives.

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These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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