Still got the blues amp settings — Fender Mustang LT25
The Gary moore guitar tone for “Still got the blues”, dialed in for a Fender Mustang LT25 with a Squier Affinity Stratocaster. Studio album version, Still Got the Blues (1990)
1959 Gibson Les Paul Standard ('Stripe') + Marshall JTM45 Reissue prototype + Marshall The Guv'nor overdrive + Roland SDD-320 Dimension D
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 8 |
| Treble | 5 |
| Reverb | 4 |
| Master | 6 |
01Onboard Overdrive / Stomp (Myth Drive or Overdrive block)
Engage onboard LT25 stomp block to emulate the Marshall Guv'nor into the JTM45
02Onboard Chorus / Modulation (Sine Chorus block)
Subtle spatial widening to mimic the studio Roland Dimension D
To compensate for the Squier Strat's brighter single-coil pickup versus Gary Moore's '59 Les Paul humbucker, the amp mids are boosted to 8 and treble pulled down to 5, while the guitar tone knob is rolled back to 7. The Mustang LT25's British amp model is paired with its internal overdrive stomp block to supply the signature singing sustain of the Guv'nor pedal. Presence is omitted as the LT25 does not feature a physical presence knob.
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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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